| "Rene And Georgette Magritte With Their Dog After The War" | ||||
|---|---|---|---|---|
| Song by Paul Simon from the album Hearts and Bones | ||||
| Released | 1983 | |||
| Genre | Pop | |||
| Length | 3:44 | |||
| Label | Warner Bros. Records | |||
| Writer | Paul Simon | |||
| Hearts and Bones track listing | ||||
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"Rene And Georgette Magritte With Their Dog After The War" is a ballad written and sung by Paul Simon.[1]
It first appeared as the eighth track on Hearts and Bones, the 1983 album that was the fifth in Simon's solo career. It also appears on Negotiations and Love Songs (1988), Paul Simon 1964/1993 (1993), The Paul Simon Anthology (1993), Greatest Hits: Shining Like a National Guitar (2000), and The Studio Recordings 1972-2000 (2004). The 2004 re-release of Hearts and Bones has a 3:47 minute demo version of this song among the bonus tracks.[2]
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The song is about the surrealist and dadaist artist René Magritte and his wife Georgette. The title derives from "René and Georgette Magritte With Their Dog During the War", purportedly a World War II-era photograph by Lothar Wolleh of the Magrittes in Belgium under German occupation. In fact, the photo in question was almost certainly taken during the 1960's shortly before Magritte's death.[3][4]
"Simultaneously an evocative mood piece and a joyous tribute to the doo wop groups of the '50s" [5], the song depicts the Magrittes as secret admirers of The Penguins, The Moonglows, The Orioles, and The Five Satins. The lyrics refer to this as "the deep forbidden music they've been longing for" and says that others also "have (it) hidden away in the cabinet cold of their hearts."
The song also portrays the Magrittes "strolling down Christopher Street", stopping in a men's store, and seeing "all of the mannequins dressed in the style that brought tears to their immigrant eyes just like" the aforementioned doo wop groups.
While not a chart hit (Allmusic refers to the whole album as "a commercial disaster"[6]), the song was well-received by fans and reviewers. It has been called a "very nice homage to the painter and his work".[7] Another reviewer deemed the song "flat-out terrific...despite its obvious pretensions.[5]
Rolling Stone lauded this song saying that it "ranks among the best Simon has written" and added:
There they are, a Belgian surrealist painter, his old lady and their pooch, dancing naked in a hotel room, window-shopping on Christopher Street and getting dolled up to dine with "the power elite." [...] It's a hilarious and magical juxtaposition of images that's also touching, because Paul Simon obviously identifies with the figure of the grown-up, respectable artist irrevocably smitten with those doo-wop groups, "the deep forbidden music" that originally made him fall in love with rock & roll.[8]
A reviewer for Amazon.com described this tune as "a polished gem, both a musical analogue to the artist's dead-pan surrealism and a unique love song."[9]
Also released in 1984, the 3:42 minute music video produced for this song was created by Joan Logue, produced by Alan Kleinberg, and executive produced by Paul Simon. It is described as:
a witty tribute to Magritte's work and a haunting visual interpretation of Simon's music and lyrics. A photograph of the Magrittes serves as the point of departure for both the song and images, as Logue employs video effects to technologically echo and transform the eerie resonances of the surreal imagery of Magritte's paintings.[10]